Published on February 25, 2013 by Casey
Timothy Archambault (also known as Tim Archambault; born Willimantic, Connecticut, United States, February 9, 1971) is an American Native American flutist, architect, and composer.
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Archambault is a member of the Kichesipirini Algonquin First Nation. He graduated with two degrees (bachelor of architecture and bachelor of fine arts) from the Rhode Island School of Design, taking courses in music theory at Brown University during this time.
Archambault began playing the Native American flute in 1989 and has devoted intensive study to the earliest recordings of the instrument, dating back to the early 20th century. He has also studied informally with the Native American flutists Kevin Locke (Lakota) and Edmund Wayne Nevaquaya (Comanche), and has collected songs of his Kichesipirini heritage, from elders in Canada as well as from archival wax cylinder recordings made in the early 20th century.
In addition to performing in traditional styles, since the early 21st century he has achieved notoriety for being one of the few Native American flutists to perform contemporary classical music on the instrument. He is able to play complex chromatic music on the Native American flute, and is the first enrolled member of a North American indigenous nation to master this style. He has performed the music of Native American composers David Yeagley, George Quincy, and Raven Chacon. His recording of Yeagley’s Wessi vah-peh, for Native American flute and orchestra, performed with the National Polish Radio Symphony Orchestra Katowice, will be released by Opus One Records in late 2008. He was the first person to use the old “warble” technique (in which a single flute tone “splits” into a multiphonic oscillation) within the context of contemporary classical music.
Archambault is planning to record, in late 2008, a solo album of compositions by David Yeagley entitled Suite Tragique which is dedicated to the Kichesipirini Algonquin First Nation, as well as a collaborative composition utilizing traditional Anishinaabeg musical notation with the Navajo composer Raven Chacon. He recorded an orchestral work entitled The Choctaw Diaries by the Choctaw composer George Quincy, which was released by Lyrichord Classical on June 17, 2008. In 2008, he joined an all-Native American orchestra called The Coast Orchestra.
As a composer, in the spring of 2007 he composed a work for solo cello for the Mohawk cellist, as a part of her North American Indian Cello Project; this work will be released on CD in late 2008.
Archambault is a member of the First Nations Composer Initiative and performed at the National Museum of the American Indian in Washington, D.C. in November 2006. In August 2007 he recorded traditional Kichesipirini flute songs for the National Museum of the American Indian archives and in 2008 he was one of the First Nations Composer Initiative judge panelists who awarded several grants to American Indian musicians.
Additionally, he performs as a volunteer musician for the Bugles Across America organization, playing “Taps” on the bugle for the funerals of veterans of the United States Armed Forces, due to the shortage of buglers in the employ of the United States Department of Defense.