Published on August 8, 2012 by Amy
Moses Stranger Horse (1890–1941) was a Brulé Lakota realist painter from the Rosebud Indian Reservation in South Dakota.
native art, native american jewelry, native american rings, turquoise crafts, student loans, debt financing, native american astrology, native horoscopes, student debt, Indian Genealogy Records, family tree, native heritage, native jobs, native study, native students, native american university, grant, native ancestry, dna test
A Brulé Lakota from Rosebud, Stranger Horse was born outside of Wood, South Dakota in 1890. In 1911, he was taken to Pennsylvania to attend Carlisle Indian Industrial School. There he received art lessons from Angel De Cora, the accomplished Ho-Chunk painter, whose philosophy was that Native peoples could both maintain cultural pride and a place in mainstream society through art.
Stranger Horse joined the American Expeditionary Force and was stationed in Paris during World War I. After the war, he stayed on in Paris to pursue his artistic studies. He learned realistic oil painting techniques.
Returning to South Dakota, Stranger Horse painted dramatic landscapes of his own homelands, sometimes with images of early Lakota people. Native cowboys and ranch hands were also favorite subjects. Besides working in oils, Stranger Horse also drew.
He traveled throughout the United States, demonstrating his painting skills at fairs and rodeos. Stranger Horse would perform feats of dexterity, such as painting with both hands simultaneously or painting with the canvas upside-down.[ He exhibited his work at the 1939 New York World’s Fair and gave public painting demonstrations. His artist name was “Sundown.” His work was celebrated by both European-American audiences as well as Native audiences.
Stranger Horse died in 1941 at the Rosebud Reservation. His work is in the collection of Red Cloud Heritage Center in Pine Ridge and the Journey Museum in Rapid City, South Dakota. “With all the progressive adventuresomeness inherent in the character of the western Sioux, Stranger Horse took the first bold step of any modern Sioux artists to intentionally and completely master what was still the foreign art forms of the white man.”